ADVOCATE

a film by rachel leah jones and philippe bellaïche

Lea Tsemel defends Palestinians: from feminists to fundamentalists, from non-violent demonstrators to armed militants. As a Jewish-Israeli lawyer who has represented political prisoners for five decades, Tsemel, in her tireless quest for justice, pushes the praxis of a human rights defender to its limits. As far as most Israelis are concerned, she defends the indefensible. As far as Palestinians are concerned, she's more than an attorney, she’s an advocate.

ADVOCATE follows Tsemel’s caseload in real-time, including the high-profile trial of 13-year-old Ahmad Manasra — her youngest client to date — while also revisiting her landmark cases and reflecting on the political significance of her work as well as the personal price one pays for insisting upon freedom, equality and justice for all.

When they aren't busy chasing Tsemel through the courthouse halls, directing duo Rachel Leah Jones and Philippe Bellaiche assume the privileged position of a fly on the wall in her office, where a year of documenting is like gathering a lifetime of evidence. This evidence attests to the wrongs of occupation but also to the faults of those who try to resist it, the failings of those who try to defend them, and the fundamental flaws of a legal system that purports to serve justice but in fact serves the powers that be.

Tsemel spoke truth to power before the term became trendy and she’ll continue to do so after fear makes it unfashionable. As such, she’s a model we’re hard-pressed to preserve in Israel/Palestine, and elsewhere.

On the one hand, she’s the boy calling the Emperor naked, i.e. naming i.e. i.e. exposing the underbelly of Israeli security jurisprudence: the occupier is judging the occupied. On the other hand, she’s the boy with his finger in the dam, doing her utmost to uphold the rule-of-law before the flood of injustice drowns us all. As one judge is said to have put it: “If Lea Tsemel didn’t exist, we’d have to invent her.”

 
 
 
 
 
 
 

 

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REVIEWS

100 percent fresh
A textured nonfiction character study of complicated heroism.
Intimate, powerful... Expertly directed.
Thought-provoking.
With their Sundance-premiering ADVOCATE they’ve created an in-the-trenches portrait of this unapologetic firebrand... A remarkable character. A warrior for justice who’s spent her entire adult life taking punch after punch, she forever gets up undaunted to fight another day.
Rachel Leah Jones and Philippe BellaÏche’s riveting new documentary pays tribute to the tenacity and selflessness of Jewish Israeli lawyer Lea Tsemel, a divisive figure in her home country on account of her unwavering dedication to Palestinian rights... A deeply bittersweet portrait of a magnetic individual.
Absorbingly up close and personal... Compelling.
It’s what we need right now, an engaging way to crack open our thinking about something many of us are sure we already know. A fantastic main character you have to love. A riveting story that will make you mad and give you hope that there are people fighting the good fight. Great filmmaking.

— The document

A heroic portrait of an Israeli lawyer who defends violent Palestinian offenders, ADVOCATE is a lively exercise in documentary advocacy. This self-described “angry and optimistic woman,” is a natural cinema verité performer, full of flashing energy, quick sardonic retorts and unselfconscious in her moral convictions.
Lea Tsemel is a real, flesh-and-blood person, but if you saw someone like her in a fictional film, you might fault the screenwriter for inventing such an implausible character. ADVOCATE is not just a celebration but a continuation of the work she’s dedicated herself to.
Thrilling and Exact.
Makes for potent viewing as a portrait of a steadfast activist with a controversial cause.
Compelling
Inspirational and full of heart... Captures the humanity and pain that lays behind aggression and labels, building an insightful picture of a flawed judicial system.
A portrayal of a strong female figure who defies each and every convention.
A compelling representation of Tsemel’s biography
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FESTIVALS, AWARDS & NOMINATIONS

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NOMINATIONS:

  • Emmy Awards // WINNER Best Documentary

  • Academy of Motion Picture Arts and Sciences // Oscar Shortlist

  • Asia Pacific Screen Awards (APSA) // WINNER Best Documentary Feature

  • International Documentary Association Awards (IDA) // NOMINEE Best Documentary Feature

  • International Documentary Association Awards (IDA) // NOMINEE Best Directing

  • Producers Guild of America (PGA) // NOMINEE Best Documentary Feature

  • European Film Awards (EWA) // Documentary Selection

  • Israel Documentary Forum Awards // WINNER Best Documentary Feature

  • Israel Documentary Forum Awards // WINNER Best Editing

  • Cinema Eye Honors // HONOREE The Unforgettables

  • Social Impact Media Awards // Winner Best Directing

  • Les Étoiles de la Scam // Winner

FESTIVAL AWARDS:

  • Thessaloniki Documentary Film Festival // WINNER Golden Alexander

  • Thessaloniki International Film Festival // WINNER FIPRESCI Prize

  • Hong Kong Film Festival // WINNER Jury Prize

  • Docaviv Film Festival // WINNER Best Israeli Documentary

  • Krakow Film Festival // WINNER Golden Horn

  • Moscow Jewish Film Festival // WINNER Best Documentary Feature

  • Antenna Film Festival // WINNER Best Film

  • Antenna Film Festival // WINNER Audience Award

  • Festival des Libertés // WINNER Prix Smart

  • Loft Film Festival // WINNER Cinema Art Award // International Confederation of Art House Cinemas

  • UK Jewish Film Festival // WINNER Best Documentary

  • Verzio Human Rights Film Festival // WINNER Best Human Rights Film

  • Palm Springs Film Festival // WINNER GoE Bridging the Borders

  • ZagrebDox // WINNER Movies That Matter Award

  • DocsMX // WINNER Jury Award

  • Images De Justice // WINNER Prisoner Award

FESTIVALS:

  • Sundance Film Festival // World Cinema Documentary Competition

  • Thessaloniki Documentary Film Festival

  • FIFDH Geneva

  • Hong Kong International Film Festival

  • CPH:DOX // NOMINEE Politiken Audience Award

  • It’s All True

  • Moscow International Film Festival

  • Hot Docs

  • Dok.Fest München

  • DocAviv

  • Krakow Film Festival

  • Biografilm Bologna

  • Sheffield Doc Fest

  • Human Rights Watch Film Festival // Opening Film

  • DocEdge Film Festival

  • San Francisco Jewish Film Festival

  • Stronger Than Fiction Film Festival

  • Dokufest Kosovo

  • Etat Generuax du Documentaire Lussas

  • March on Washington Film Festival // Closing Film

  • Aegean Docs // Opening Film

  • Irish Film Institute Documentary Festival

  • Reykjavik International Film Festival

  • San Francisco Arab Film Festival

  • Antenna Documentary Film Festival

  • Arabian Sights Film Festival Washington DC

  • Jewish International Film Festival Sydney/Melbourne

  • Film Festival Diritti Umani Lugano

  • IndieCork Film Festival

  • Festival de Libertés Brussels

  • Verzio International Human Rights Film Festival Budapest

  • UK Jewish Film Festival

  • Taipei Golden Horse Film Festival

  • Philadelphia Film Festival

  • Milwaukee Film Festival

  • Santa Fe Independent Film Festival

  • Scottsdale International Film Festival

  • Vermont International Film Festival

  • UNAFF Stanford

  • Loft Film Festival

  • DocNYC // Winner’s Circle

  • Boston Jewish Film Festival

  • Other Israel Film Festival // Opening Film

  • MESA Film Festival

  • IDFA // Best of Fests

  • Human Rights Film Festival Zurich

  • Palm Spring International Film Festival

  • FIPADoc Biarritz

  • DocPoint Helsinki

  • HUMAN International Documentary Festival Oslo

  • ZagrebDox

  • DocsMX

  • Images De Justice

 

Our Team

 
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PHILIPPE BELLAÏCHE • director/producer/cinematographer

Bellaïche is an Emmy Award-winning documentary filmmaker whose trajectory in the field has spanned three decades and four continents. His work, which has received prizes from the Israel Academy of Film and Television, the Israel Documentary Forum, and the Asia Pacific Screen Academy, has also been nominated for the PGA Awards, the IDA Awards, selected by the European Film Academy, honored by Cinema Eye, and shortlisted for the Oscars. A two-time Sundance Festival and Institute alumnus whose work has screened at film festivals and been aired worldwide, his critically acclaimed credits as DP include ADVOCATE (2021 Emmy Award for Best Documentary) and GYPSY DAVY (2012 Sundance FF); Avi Mograbi’s BETWEEN FENCES (2016 Berlin) Z32 (Venice), AVENGE BUT ONE OF MY TWO EYES (2005 Cannes FF); Arnon Goldfinger's THE FLAT (2012 Tribeca FF); and Shimon Dotan's THE SETTLERS (2016 Sundance FF) and HOTHOUSE (2007 Sundance FF), among dozens of other directors, including Nurith Aviv, Ram Loevy, Amos Gitai, Duki Dror and Kamal Hachkar. In addition to his prolific career as a cinematographer, Bellaiche, a Documentary Branch member of the Academy of Motion Picture Arts and Sciences, has taught in Israel’s most prestigious film schools and is a tenured professor. IMDB

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Rachel Leah Jones • director/producer/writer

Jones is an Emmy-winning nonfiction filmmaker whose trajectory in the field — from producer to director to editor to writer — has spanned two decades and three continents. Her work, which has received prizes from the Israel Academy of Film and Television, The Israel Documentary Forum and the Asia Pacific Screen Academy, has also been nominated for the PGA Awards, the IDA Awards, selected by the European Film Academy, honored by Cinema Eye and shortlisted for the Oscars. A two-time Sundance Festival and Institute alumna, her critically-acclaimed films — ADVOCATE (2019); GYPSY DAVY (2012); ASHKENAZ (2007); 500 DUNAM ON THE MOON (2002) — have screened in festivals worldwide such as IDFA, True/False, Visions du Reel, Sheffield, CPH:DOX, DocNYC, Hotdocs, BAFICI and aired on dozens of channels including PBS’s POV; BBC Storyville; ARD Germany; France 2; RTS Switzerland; Channel 8 Israel; YLE Finland; DR Denmark; SVT Sweden; 2M Morocco; Radio Canada; and HBO Latin America. In addition to maintaining a prolific career as an activist artist, Jones, a Documentary Branch member of the Academy of Motion Picture Arts and Sciences, has collaborated extensively with other filmmakers and worked as a story consultant, directing mentor, and film curator. WikipediaIMDb

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PAUL CADIEUX • Co-Producer

In his more than three decades as a producer, co-producer, executive producer and distributor, Paul has won numerous awards, among them a Genie for the Oscar-nominated animated feature LES TRIPLETTES DE BELLEVILLE (2003). Recent documentary credits include THE SETTLERS by Shimon Dotan (Sundance 2016), PS JERUSALEM by Danae Elon (Berlin 2016), H2: THE OCCCUPATION LAB by Noam Sheizaf and Idit Avrahami (DocAviv 2022).

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Erez Laufer • story consultant

With 30 years experience in the documentary world, Editor/Director Erez Laufer has collaborated with renowned filmmakers Chris Hegedus and D. A. Pennebaker, including on the Oscar-nominated THE WAR ROOM (1993) and on Laura Poitras’ Oscar-nominated MY COUNTRY, MY COUNTRY (2006). His film RABIN IN HIS OWN WORDS (2015) won Best Documentary at the Haifa International FF. His film MIKE BRANDT, LAISSE-MOI T'AIMER (2003) premiered at the Directors Fortnight in Cannes and was awarded the Israeli Academy Award for Best Documentary. A founding member of Rough Cut service, Erez has mentored films at Ex-Orient, Green House, IDFA Summer School and Archidoc at Le Femis.

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tal Kantor • animation

Tal Kantor is an animation filmmaker & visual artist from Jerusalem. Graduated with honors from the 'Bezalel Academy of Arts and Design, Jerusalem', during which she also participated in an exchange program at 'School of the Art Institute of Chicago'. Her short animated film "In Other Words" won 17 awards and officially selected in more than 100 festivals worldwide. She lectures at 'Bezalel Academy of Arts and Design' Screen-Based Arts Department, currently working on her next short animated film in France.

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joëlle bertossa • Co-Producer

Joelle Bertossa is founder and managing director of CloseUp Films, which produces a wide range of fiction films, documentaries, TV series and web docs. Recent credits include: I AM NOT YOUR NEGRO (2016) by Raoul Peck (2017 Oscar-nominee and BAFTA- and CESAR-winner for Best Documentary), THE SWALLOWS OF KABUL (2019) by Zabou Breitman and Eléa Gobbé-Mavelec (Official Selection, Un Certain Regard, Cannes 2019), SING ME A SONG by Thomas Balmès (TIFF, IDFA 2019). Website

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YAEL BITTON • editor

Born in Geneva, Switzerland and educated in Brussels, Bitton is an editor and story consultant based in Paris. Her recent editing credits include: MACHINES (2016) by Rahul Jain; THE WONDERFUL KINGDOM OF PAPA ALAEV (2016) by Noam Pinchas and Tal Barda; MUCHACHAS (2016) by Juliana Fanjul; TACACHO (2013) by Felipe Monroy; PETITS ARRANGEMENTS AVEC L’AMOUR (2013) by Ilana Navaro; THINGHIR: ECHOES FROM THE MELLAH (2013) and IN YOUR EYES I SEE MY COUNTRY (2019) by Kamal Hachkar; WATERMARKS (2004) by Yaron Zilberman. A founding team member of Rough Cut Service, she has taught and consulted in frameworks such as Le Femis, Cinédoc, and DOK.Incubator.

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Yoav BRILL • Archives

Yoav Brill is an award winning animator and film maker who has created pieces both for exhibitions and for the big screen. Brill took part in animating several documentaries such as “The Red House” (Tamar Tal, 2017) and “King Bibi” (Dan Shadur, 2018). His latest piece, a collaboration with director Ari Teperberg, is currently showing in the Israel Museum, Jerusalem.

Website

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ROBERT MARCEL LEPAGE • Composer

Robert Marcel Lepage has been a fixture on the Quebec musical scene for more than 30 years. Over the course of his career, the highly versatile musician has released about 10 CDs and hundreds of original film soundtracks. He has regularly composed for animation films and television series, short and feature-length films and documentaries. Lepage’s work has won four Gemini awards and he received the Richard Grégoire Award from the SPACQ Foundation in 2006. He has been working with the Rio Tinto Alcan Planetarium for several years already, as part of the team for the two previous shows, Tempo (Philippe Baylaucq) and Pluto: Diary of an Ex-planet (Maxime Pivin-Lapointe). Now he has composed the original score for Kyma, Power of Waves, a new collaboration with writer-director Philippe Baylaucq.

credits

Directed by

Rachel Leah Jones, Philippe Bellaiche

Produced by

Philippe Bellaiche, Rachel Leah Jones // Home Made Docs

Co-Produced by

Paul Cadieux // FilmOption

Joelle Bertossa // Close Up Films

Co-Produced with

HOT 8

CBC/Radio Canada

RTS Switzerland

SWR/NDR Germany

EOdocs

BBC/Storyville

Produced in Collaboration with

Blue Ice Docs

Produced with the support/participation of

DR Denmark

YLE Finland

SVT Sweden

VGTV Norway

Bertha Foundation

OFC Switzerland

CineForom / Loterie Romand Switzerland

Makor Foundation for Israeli Films

Israel Lottery for Culture and Arts

The Israel Film Council

Sundance Documentary Fund

With the help of

CoPro

Hotdocs Dealmakers

IDFA Forum

IFP

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